NÃO ME DEIXE SOZINHO

A PRODUÇÃO DIGITAL DE GABRIEL YARED A PARTIR DO GÊNERO FANFIC

Abstract

A part of the literary institution does not recognize fanfic as a product of literature, that is, it puts obstacles in the way of its acceptance as a literary text. However, it must be understood that despite this, fanfic is a digital textual genre that belongs to its own polysystem, the fandom. Based on these assumptions, this paper aims to analyze the fanfic Não me deixe sozinho (2014) produced by Gabriel Yared. To this purpose, gender theories such as Butler's queer theory (1991), Even-Zohar's polysystem theory (2013a, 2013b) are mobilized, as well as, as a specific objective, discussing how Gabriel Yared's gay identity manifests itself. In this way, the analysis of the fanfic Não me deixe sozinho (2014) produced by Gabriel Yared elucidates that there is an exchange between productions of the printed and digital literary polysystems, so that Yared's identity repertoire manifests itself in the fandom and in his other productions, thus revealing that digital production does not exist alone, since fanfic producers have become recognized producers in other spaces of cultural production beyond publishing platforms.