v. 14 n. 1 (2020): Dossiê BRICS: Digital Technology, Culture and Communication

jan./abr. 2020

 

 

Publicado: 2020-04-30

Dossiê BRICS: Digital Technology, Culture e Communication

• Apresentação

  Denize Araujo, Sunny Yoon, Thomas Wiedemann

  1-6

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  • PDF (English)

• “For better or worse”? A frame analysis of BRICS activities by digital journalists in South Africa

  Tshuma Lungile Augustine

  7-19

  • PDF (English)

• Digital India-Communication Policy, Issues and Challenges

  Sanjay Bharthur

  20-36

  • PDF (English)

• Towards a full body narrative: a communicational approach to techno-interactions in virtual reality

  Eduardo Zilles Borba

  37-52

  • PDF (English)

• For an autonomous existence of images: an archaeological perspective

  José Cláudio S. Castanheira

  53-67

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• The rupture in Hong Kong cinema: Post-2000 Hong Kong cinema(s) as both a transnational cinema and a national cinema

  Fangyu Chen

  68-83

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• Media aesthetic component of communication and its manifestation in infographic content

  Svetlana Simakova

  84-96

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• The role of digital personal photography: a theoretical exploration with Deleuze-Guattari approach

  Zhen Sun

  97-110

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• The Soft Power of India

  Daya Thussu

  111-124

  • PDF (English)

• Media Evolution, “Double-edged Sword” Technology and Active Spectatorship: investigating “Desktop Film” from media ecology perspective

  Jing Yang

  125-138

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Artigos

• A estilística do roteiro das séries contemporâneas: análise do episódio Chicanery, de Better Call Saul

  Marcel Vieira Barreto Silva, Rodrigo Aragão Quirino

  139-155

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• Consumo midiático, localismos e cosmopolitismos: a série brasileira Coisa mais linda

  Clarice Greco, Gustavo Souza, Simone Luci Pereira

  156-173

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• Disputas simbólicas em memes das eleições presidenciais brasileiras de 2018

  Laan Mendes de Barros, Maicon José de Faria Milanezi

  174-191

  • PDF