Vol. 14 No. 1 (2020): Dossiê BRICS: Digital Technology, Culture and Communication

jan./abr. 2020

 

 

Published: 2020-04-30

Dossiê BRICS: Digital Technology, Culture e Communication

• Apresentação

  Denize Araujo, Sunny Yoon, Thomas Wiedemann

  1-6

  • PDF (Português (Brasil))
  • PDF

• “For better or worse”? A frame analysis of BRICS activities by digital journalists in South Africa

  Tshuma Lungile Augustine

  7-19

  • PDF

• Digital India-Communication Policy, Issues and Challenges

  Sanjay Bharthur

  20-36

  • PDF

• Towards a full body narrative: a communicational approach to techno-interactions in virtual reality

  Eduardo Zilles Borba

  37-52

  • PDF

• For an autonomous existence of images: an archaeological perspective

  José Cláudio S. Castanheira

  53-67

  • PDF

• The rupture in Hong Kong cinema: Post-2000 Hong Kong cinema(s) as both a transnational cinema and a national cinema

  Fangyu Chen

  68-83

  • PDF

• Media aesthetic component of communication and its manifestation in infographic content

  Svetlana Simakova

  84-96

  • PDF

• The role of digital personal photography: a theoretical exploration with Deleuze-Guattari approach

  Zhen Sun

  97-110

  • PDF

• The Soft Power of India

  Daya Thussu

  111-124

  • PDF

• Media Evolution, “Double-edged Sword” Technology and Active Spectatorship: investigating “Desktop Film” from media ecology perspective

  Jing Yang

  125-138

  • PDF

Artigos

• The screenplay stylistics of contemporary television series: Analysis of the episode Chicanery, from Better Call Saul

  Marcel Vieira Barreto Silva, Rodrigo Aragão Quirino

  139-155

  • PDF (Português (Brasil))

• Media consumption, localisms and cosmopolitisms: the Brazillian series Most Beautiful Thing

  Clarice Greco, Gustavo Souza, Simone Luci Pereira

  156-173

  • PDF (Português (Brasil))

• Symbolic disputes in the memes of the 2018 Brazilian Presidential Election

  LAAN MENDES DE, Maicon José de Faria Milanezi

  174-191

  • PDF (Português (Brasil))