Vol. 14 No. 1 (2020): Dossiê BRICS: Digital Technology, Culture and Communication

View Vol. 14 No. 1 (2020): Dossiê BRICS: Digital Technology, Culture and Communication

jan./abr. 2020

 

 

Published: 2020-04-30

Dossiê BRICS: Digital Technology, Culture e Communication

  • Apresentação

    Denize Araujo, Sunny Yoon, Thomas Wiedemann
    1-6

  • “For better or worse”? A frame analysis of BRICS activities by digital journalists in South Africa

    Tshuma Lungile Augustine
    7-19
    DOI: https://doi.org/10.34019/1981-4070.2020.v14.30237

  • Digital India-Communication Policy, Issues and Challenges

    Sanjay Bharthur
    20-36
    DOI: https://doi.org/10.34019/1981-4070.2020.v14.30139

  • Towards a full body narrative: a communicational approach to techno-interactions in virtual reality

    Eduardo Zilles Borba
    37-52
    DOI: https://doi.org/10.34019/1981-4070.2020.v14.30019

  • For an autonomous existence of images: an archaeological perspective

    José Cláudio S. Castanheira
    53-67
    DOI: https://doi.org/10.34019/1981-4070.2020.v14.30111

  • The rupture in Hong Kong cinema: Post-2000 Hong Kong cinema(s) as both a transnational cinema and a national cinema

    Fangyu Chen
    68-83
    DOI: https://doi.org/10.34019/1981-4070.2020.v14.30238

  • Media aesthetic component of communication and its manifestation in infographic content

    Svetlana Simakova
    84-96
    DOI: https://doi.org/10.34019/1981-4070.2020.v14.30188

  • The role of digital personal photography: a theoretical exploration with Deleuze-Guattari approach

    Zhen Sun
    97-110
    DOI: https://doi.org/10.34019/1981-4070.2020.v14.30259

  • The Soft Power of India

    Daya Thussu
    111-124
    DOI: https://doi.org/10.34019/1981-4070.2020.v14.30137

  • Media Evolution, “Double-edged Sword” Technology and Active Spectatorship: investigating “Desktop Film” from media ecology perspective

    Jing Yang
    125-138
    DOI: https://doi.org/10.34019/1981-4070.2020.v14.30260

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