The role of digital personal photography: a theoretical exploration with Deleuze-Guattari approach
DOI:
https://doi.org/10.34019/1981-4070.2020.v14.30259Palavras-chave:
Self-photography, Digital Apps, Minor Photography, Assemblage, DeleuzeResumo
The innovations of digital photography are transforming people’s experiences of producing, manipulating, sharing, and using their personal photographic images. The essentialist and representational dualistic viewpoints of photography that were initially developed in the era of the Daguerreotype appear no longer tenable in the contemporary photography era. This study focuses on the ever-changing role of personal photographic images in the three typical photography events, i.e., the selfie production, the real-time beautified video sharing on the social media, and the production of deepfake AI face-swaps. The study is inspired by the Deleuze-Guattari’s conceptual framework that is mainly composed of the concepts of minor literature, assemblage, becoming, and de/re-territorialization, and defines personal photographic images as both an assemblage and a constitutive part of larger assemblages, i.e., personal photograph production and usage events. The tetravalent model of assemblages is used as a major analysis toolkit to achieve the research purpose. A thorough analysis and discussion shows the material and expressive components that compose different sizes of assemblages and the emergent capacities. It also discloses how digital photography apps play as a line of flight to de/re-territorialize the presumed representational association between individuals and their photographic images. The images have become one of the multiplicities or becoming of individuals, either interacting with individuals, acting on individuals, or extending individuals’ disembodied experiences. This study seeks to develop alternative theoretical lenses on the role of digital personal photography in everyday life and the rhizomatic experiences that it generates.
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Referências
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BARTHES, R. Image, music, text. Londres: Fontana Press, 1977.
BARTHES, R. Camera Lucida: Reflections on photography. Nova York: Hill and Wang, 1980.
BATCHEN, G. Burning with desire: The conception of photography. Cambridge: The MIT Press, 1997.
BAZIN, A.; GRAY, H. The ontology of the photographic image. Film Quarterly, v. 13, n. 4,
p. 4-9, 1960. Disponível em: <https://fq.ucpress.edu/content/13/4/4>. Acesso em: 15 abr. 2020.
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BLEYEN, M. Introduction. BLEYEN, M. (ed.). Minor photography: Connecting Deleuze and Guattari to photography theory. Bélgica: Leuven University Press, 2012, p.9-18.
BLOLCATI, R.; PASSINI, S. Narcissism and self-esteem: Different motivations for selfie
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CARTIER-BRESSON, H. The mind’s eye: Writings on photography and photographers. Nova York: Aperture, 1999.
COLEMAN, R. The becoming of bodies: Girls, media effects, and body image. Feminist
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DAMISCH, H. Five notes for a phenomenology of the photographic image. October, v.5, p. 70-72, 1978. Disponível em: < https://www.jstor.org/stable/778645>. Acesso em: 15 abr. 2020.
DELEUZE, G. Francis Bacon: The Logic of Sensation. Londres: Continuum, 2003.
DELEUZE, G.; GUATTARI, F. A Thousand Plateaus: Capitalism and Schizophrenia. Mineápolis: University of Minnesota Press, 1987.
DE LANDA, M. A New Philosophy of Society: Assemblage Theory and Social Complexity. Londres: Continuum, 2006.
DE LANDA, M. Deleuze: History and Science. Nova York: Atropos. 2010.
DE LANDA, M. Assemblage theory. Edinburgh: Edinburgh University Press, 2016.
FAWNS, T. Blended memory: Distributed remembering and forgetting through digital
photography. A dissertation submitted to the University of Edinburgh, 2016.
FLUSSER, V. Towards a philosophy of photography. Londres: Reaktion Books Ltd., 2000.
GOODING, M. Visions of the real: The desire and will of the blind photographer. In J. ROTHENSTEIN, J.; GOODING, M. (eds.). The blind photographer. Nova York: Princeton Architectural Press, 2006, p. 23-27.
HESS, A. The selfie assemblage. International Journal of Communication, v. 9, p. 1629-1646, 2015. Disponível em: < https://ijoc.org/index.php/ijoc/article/view/3147>. Acesso em: 15 abr. 2020.
KAMALIPOUR, H.; PEIMANI, N. Assemblage thinking and the city: Implications for urban studies. Current Urban Studies, v. 3, p. 402-408, 2015. DOI: 10.4236/cus.2015.34031
KIM, J. W; CHOCK, M. Personality traits and psychological motivations predicting selfie posting behaviors on social networking sites. Telematics and Informatics, v. 34, p. 560-571, 2017. DOI: 10.1016/j.tele.2016.11.006
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MCLENNAN, T. Photography’s album: An autoethnography on mediating time with smartphones, Kodaks and camera obscuras. A doctoral dissertation submitted to the University of Technology Sydney, Sydney, 2017.
MCWILLIAM, C. Eyes that feel. ROTHENSTEIN, J.; GOODING, M. (eds.), The blind photographer. Nova York: Princeton Architectural Press, 2016, p. 11-16.
O/SULLIVAN, S. From stuttering and stammering to the diagram: Towards a minor art practice? BLEYEN, M (ed.), Minor photography: Connecting Deleuze and Guattari to photography theory. Bélgica: Leuven University Press, 2012, p. 9-18.
PHILLIPS, J. Agencement/assemblage. Theory, Culture & Society, v.23, n. 2-3, p. 108-109 2006. Disponível em: < https://bit.ly/2XDwCFh>. Acesso em: 15 abr. 2020.
RIZZO, T. Deleuze and Film: A Feminist Introduction. Nova York: Continuum International Publishing Group, 2012.
QIU, L.; LU, J.; YANG, S.; QU, W.; ZHU, T. What does your selfie say about you? Computers in Human Behavior, v. 52, p. 443–449, 2015. DOI:10.1016/j.chb.2015.06.032
SOROKOWSKI, P.; SOROKOWSKA, A.; OLESZKIEWICZ, A.; FRACKOWIAK, T.; HUK, A.; PISANSKI, K. Personality and individual difference, v. 85, p.123-127, 2015. DOI:10.1016/j.paid.2015.05.004
SUNG, Y.; LEE, J; KIM, E.; CHOI, S. M. Why we post selfies: Understanding motivations for posting pictures of oneself. Personality and Individual Differences, v.97, p. 260–265, 2016. DOI: 10.1016/j.paid.2016.03.032
GELDER, V. H.; WESTGEEST, H. Photography theory in historical perspective. Case studies from contemporary art. Boston: Wiley-Blackwell, 2011
WANG, R.; YANG, F.; HAIGH, M. M. Let me take a selfie: Exploring the psychological effects of posting and viewing selfies and groupies on social media. Telematics and Informatics, v. 34, p. 274-283, 2017. Disponível em: <https://bit.ly/3bdwEHY>. Acesso em: 15 abr. 2020.
WALLOP, H. Selfies - how the world fell in love with itself. The Telegraph, Online, 2013. Disponível em: <https://www.telegraph.co.uk/technology/social- media/10460202/Selfies-how-the-world-fell-in-love-with-itself.html>. Acesso em: 15 abr. 2020.
WEISER, E. B # Me: Narcissism and its facets as predictors of selfie-posting frequency. Personality and Individual Differences, v.86, p. 477–481, 2015. DOI:10.1016/j.paid.2015.07.007
WISE, J. M. Assemblage. STIVALE, C. J. (ed.). Gilles Deleuze: Key concepts. Montreal: McGill- Queen’s University Press, 2005, P. 77-87.
BARTHES, R. Image, music, text. Londres: Fontana Press, 1977.
BARTHES, R. Camera Lucida: Reflections on photography. Nova York: Hill and Wang, 1980.
BATCHEN, G. Burning with desire: The conception of photography. Cambridge: The MIT Press, 1997.
BAZIN, A.; GRAY, H. The ontology of the photographic image. Film Quarterly, v. 13, n. 4,
p. 4-9, 1960. Disponível em: <https://fq.ucpress.edu/content/13/4/4>. Acesso em: 15 abr. 2020.
BENJAMIN, W. A short history of photography. Screen, v.13, n.1, p. 5-26, 1972. Disponível em: < https://fq.ucpress.edu/content/13/4/4>. Acesso em: 15 abr. 2020.
BLEYEN, M. Introduction. BLEYEN, M. (ed.). Minor photography: Connecting Deleuze and Guattari to photography theory. Bélgica: Leuven University Press, 2012, p.9-18.
BLOLCATI, R.; PASSINI, S. Narcissism and self-esteem: Different motivations for selfie
posting behaviors. Cogent psychology, v. 5, 2018. DOI:10.1080/23311908.2018.1437012
CARTIER-BRESSON, H. The mind’s eye: Writings on photography and photographers. Nova York: Aperture, 1999.
COLEMAN, R. The becoming of bodies: Girls, media effects, and body image. Feminist
Media Studies, v.8, n.2, p. 163-179, 2008. DOI: 10.1080/14680770801980547
DAMISCH, H. Five notes for a phenomenology of the photographic image. October, v.5, p. 70-72, 1978. Disponível em: < https://www.jstor.org/stable/778645>. Acesso em: 15 abr. 2020.
DELEUZE, G. Francis Bacon: The Logic of Sensation. Londres: Continuum, 2003.
DELEUZE, G.; GUATTARI, F. A Thousand Plateaus: Capitalism and Schizophrenia. Mineápolis: University of Minnesota Press, 1987.
DE LANDA, M. A New Philosophy of Society: Assemblage Theory and Social Complexity. Londres: Continuum, 2006.
DE LANDA, M. Deleuze: History and Science. Nova York: Atropos. 2010.
DE LANDA, M. Assemblage theory. Edinburgh: Edinburgh University Press, 2016.
FAWNS, T. Blended memory: Distributed remembering and forgetting through digital
photography. A dissertation submitted to the University of Edinburgh, 2016.
FLUSSER, V. Towards a philosophy of photography. Londres: Reaktion Books Ltd., 2000.
GOODING, M. Visions of the real: The desire and will of the blind photographer. In J. ROTHENSTEIN, J.; GOODING, M. (eds.). The blind photographer. Nova York: Princeton Architectural Press, 2006, p. 23-27.
HESS, A. The selfie assemblage. International Journal of Communication, v. 9, p. 1629-1646, 2015. Disponível em: < https://ijoc.org/index.php/ijoc/article/view/3147>. Acesso em: 15 abr. 2020.
KAMALIPOUR, H.; PEIMANI, N. Assemblage thinking and the city: Implications for urban studies. Current Urban Studies, v. 3, p. 402-408, 2015. DOI: 10.4236/cus.2015.34031
KIM, J. W; CHOCK, M. Personality traits and psychological motivations predicting selfie posting behaviors on social networking sites. Telematics and Informatics, v. 34, p. 560-571, 2017. DOI: 10.1016/j.tele.2016.11.006
KRAMP, M. Unburdening life, or the Deleuzian potential of photography. Rhizome, v. 23, Online, 2012. Disponível em: <http://rhizomes.net/issue23/kramp/>. Acesso em: 15 abr. 2020.
KRIEBEL, S. Theories of photographies: A short history. ELKINS, J (ed.). Photography theory - The art seminar 2. Nova York: Routledge, 2006, p. 1-49.
MCFARLANE, C.; ANDERSON, B. Thinking with assemblage. Area, v.43, n.2, p.162-164, 2011. Disponível em: < https://www.jstor.org/stable/41240481?seq=1>. Acesso em: 15 abr. 2020.
MCLENNAN, T. Photography’s album: An autoethnography on mediating time with smartphones, Kodaks and camera obscuras. A doctoral dissertation submitted to the University of Technology Sydney, Sydney, 2017.
MCWILLIAM, C. Eyes that feel. ROTHENSTEIN, J.; GOODING, M. (eds.), The blind photographer. Nova York: Princeton Architectural Press, 2016, p. 11-16.
O/SULLIVAN, S. From stuttering and stammering to the diagram: Towards a minor art practice? BLEYEN, M (ed.), Minor photography: Connecting Deleuze and Guattari to photography theory. Bélgica: Leuven University Press, 2012, p. 9-18.
PHILLIPS, J. Agencement/assemblage. Theory, Culture & Society, v.23, n. 2-3, p. 108-109 2006. Disponível em: < https://bit.ly/2XDwCFh>. Acesso em: 15 abr. 2020.
RIZZO, T. Deleuze and Film: A Feminist Introduction. Nova York: Continuum International Publishing Group, 2012.
QIU, L.; LU, J.; YANG, S.; QU, W.; ZHU, T. What does your selfie say about you? Computers in Human Behavior, v. 52, p. 443–449, 2015. DOI:10.1016/j.chb.2015.06.032
SOROKOWSKI, P.; SOROKOWSKA, A.; OLESZKIEWICZ, A.; FRACKOWIAK, T.; HUK, A.; PISANSKI, K. Personality and individual difference, v. 85, p.123-127, 2015. DOI:10.1016/j.paid.2015.05.004
SUNG, Y.; LEE, J; KIM, E.; CHOI, S. M. Why we post selfies: Understanding motivations for posting pictures of oneself. Personality and Individual Differences, v.97, p. 260–265, 2016. DOI: 10.1016/j.paid.2016.03.032
GELDER, V. H.; WESTGEEST, H. Photography theory in historical perspective. Case studies from contemporary art. Boston: Wiley-Blackwell, 2011
WANG, R.; YANG, F.; HAIGH, M. M. Let me take a selfie: Exploring the psychological effects of posting and viewing selfies and groupies on social media. Telematics and Informatics, v. 34, p. 274-283, 2017. Disponível em: <https://bit.ly/3bdwEHY>. Acesso em: 15 abr. 2020.
WALLOP, H. Selfies - how the world fell in love with itself. The Telegraph, Online, 2013. Disponível em: <https://www.telegraph.co.uk/technology/social- media/10460202/Selfies-how-the-world-fell-in-love-with-itself.html>. Acesso em: 15 abr. 2020.
WEISER, E. B # Me: Narcissism and its facets as predictors of selfie-posting frequency. Personality and Individual Differences, v.86, p. 477–481, 2015. DOI:10.1016/j.paid.2015.07.007
WISE, J. M. Assemblage. STIVALE, C. J. (ed.). Gilles Deleuze: Key concepts. Montreal: McGill- Queen’s University Press, 2005, P. 77-87.
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Publicado
2020-04-30
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SUN, Z. . The role of digital personal photography: a theoretical exploration with Deleuze-Guattari approach. Lumina, [S. l.], v. 14, n. 1, p. 97–110, 2020. DOI: 10.34019/1981-4070.2020.v14.30259. Disponível em: https://periodicos.ufjf.br/index.php/lumina/article/view/30259. Acesso em: 7 nov. 2024.
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Dossiê BRICS: Digital Technology, Culture e Communication
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