Vol. 16 No. 1 (2022)

View Vol. 16 No. 1 (2022)

jan./abr. 2022

Published: 2022-04-30

Apresentação

Editorial

Gabriela Borges Martins Caravela

1-3
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Artigos Internacionais

‘Computer Says No’, or: The Erasure of the Human

Alan Cholodenko

4-27
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DOI: https://doi.org/10.34019/1981-4070.2022.v16.37688

Artigos

An Archeology of Streaming in Brazil: methodological essay

João Damasceno Martins Ladeira

28-44
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DOI: https://doi.org/10.34019/1981-4070.2022.v16.32557
Brazilian television fiction and covid-19: reconfigurations and programming strategies

Ligia Prezia Lemos, Larissa Leda F. Rocha

45-60
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DOI: https://doi.org/10.34019/1981-4070.2022.v16.33616
Television fictional series in the United States during Peak TV: hybridity, serialization and loyalty

Melina Meimaridis, Rodrigo Quinan

61-78
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DOI: https://doi.org/10.34019/1981-4070.2022.v16.32301
What kiss was that, gay? Senses about gender and sexuality based on homossexual kisses shown in soap operas on Rede Globo

Matheus Antonio Moreira, Felipe Viero Kolinski Machado

79-95
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DOI: https://doi.org/10.34019/1981-4070.2022.v16.33349
Commodified cyberactivism? Celebrity fan practices on social media

Otávio Daros

96-113
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DOI: https://doi.org/10.34019/1981-4070.2022.v16.32352
Line persistence: procedural logics and linearity in communication technologies

Thales Estefani

114-130
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DOI: https://doi.org/10.34019/1981-4070.2022.v16.31919
Between discursive enlargements and semantic negotiations: Senses of modernity and identity perspectives in journalism

Nara Lya Cabral Scabin

131-146
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DOI: https://doi.org/10.34019/1981-4070.2022.v16.31293
Negative Campaign and Fear Strategies: the change in the 2014 presidential election

Joyce Miranda Leão Martins, Vera Chaia, Mércia Alves

147-166
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DOI: https://doi.org/10.34019/1981-4070.2022.v16.31860
A national cinema without a nation: notes on Palestinian identity and Elia Suleiman’s films

Hannah Romã Bellini Sarno

167-183
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DOI: https://doi.org/10.34019/1981-4070.2022.v16.34354
The The symbolism of wind in Sopro’s narrative

Raquel Salama Martins, José Francisco Serafim

184-202
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DOI: https://doi.org/10.34019/1981-4070.2022.v16.31044

Entrevista

Sebastião de Souza, craftsman of "cinema paulista"

Felipe Abramovictz, André Gustavo de Paula Eduardo

203-217
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DOI: https://doi.org/10.34019/1981-4070.2022.v16.33217