O DIÁRIO COMO LABORATÓRIO DA ESCRITA

Abstract

In a game between I-author and I-character, the diaries of writers are often caught up in a gap in literary writing. In this paper, I emphasize the construction of fiction inside the confessional speech of diaries, the transformation of the blank page in writing laboratory. Therefore, I guide myself in researches about the genre, developed by authors such as Blanchot (1959), Lejeune (1975), Barthes (1979) and Ávila (2016), in dialogue with some diaries of writers.