A model of sustainable rural development through creative tourism: CREATOUR project
DOI:
https://doi.org/10.34019/2238-2925.2018.v8.13869Keywords:
Model, Sustainable rural development, Creative tourismAbstract
Addressing the theme of how sustainable rural futures can be realized by considering 21st century realities, this paper presents a unique project on the future of rural economic development and social cohesion through the initiation of creative tourism products in rural areas and small cities. The promotion of crafts to fuel rural socio-economic development is gaining momentum and simultaneously a change towards what is known as ‘transformative tourism’ (Pritchard, Morgan, & Ateljevic, 2011) is observed, as tourists demand more immersive experiences. Craft movements in the urban space which also act as vehicles for social cohesion within cities where isolation is common, have been gaining in popularity for the last 10 years. Creative tourism, which differs from cultural tourism in terms of being an active transfer of the past into the present via local-visitor interaction, rather than a passive observation of the past (Richards & Marques, 2012), offers a novel rural development tool that this paper investigates.
This paper focus on the CREATOUR project which investigates how rural organizations, tourists and rural communities interact and forge new alliances in the Portuguese context. This three-year project started in 2016 and now has 40 pilot projects, which are entrepreneurs or organizations who are incentivized to offer innovative creative tourism products within rural areas and small cities. In this article, the ways in which the CREATOUR project can act as a sustainable rural development tool are analysed in terms of the evolving creative tourism offers and the development frameworks that creative tourism offers can be placed within, suggesting that this research and application project can be a model for other countries and provides advice on how to practically achieve this. Whilst at a preliminary stage, this project will have a large amount of data from tourists (through questionnaires handed out by pilot projects), IdeaLabs (meetings of pilots and researchers for knowledge exchange), e-portfolios, a documentary and researcher site visits, which partly inform this paper and will come to inform future research.
Downloads
References
Anderson, S. ., & Ray, P. (2015). Cultural Creative and Emerging Planetary Wisdom Culture (online). Retrieved February 21, 2018, from http://culturalcreatives.org/cultural-creatives/
Bakas, F. E., Duxbury, N., & Vinagre de Castro, T. (2018). Creative tourism: catalysing artisan entrepreneur networks in rural Portugal. International Journal of Entrepreneurial Behavior & Research. https://doi.org/10.1108/IJEBR-03-2018-0177
Bell, D., & Jayne, M. (2010). The creative countryside: Policy and practice in the UK rural cultural economy. Journal of Rural Studies, 26(3), 209–218. https://doi.org/https://doi.org/10.1016/j.jrurstud.2010.01.001
Blapp, M. (2015). Creative Tourism in Bali’s Rural Communities Examination of the Current Offer and Advice on Future Product Development. NHTV Breda University of Applied Sciences.
Blapp, M., & Mitas, O. (2018). Creative tourism in Balinese rural communities. Current Issues in Tourism, 21(11), 1285–1311. https://doi.org/10.1080/13683500.2017.1358701
Chen, L. I.-L., Scott, N., & Benckendorff, P. (2017). Mindful tourist experiences: A Buddhist perspective. Annals of Tourism Research, 64, 1–12. https://doi.org/https://doi.org/10.1016/j.annals.2017.01.013
Cohen, J. H. (2001). Textile, tourism and community development. Annals of Tourism Research, 28, 378–398.
Collins, P., & Cunningham, J. A. (2017). Creative Economies in Peripheral Regions. Springer.
CREATOUR. (2017). Overview of CREATOUR. Retrieved February 1, 2018, from http://creatour.pt/en/about/overview/
Currie, J. (2005). The Mindful Traveler: A Guide to Journaling and Transformative Travel. Nova Religio: The Journal of Alternative and Emergent Religions, 8(3), 123–125. https://doi.org/10.1525/nr.2005.8.3.123
Duxbury, N. (2019). Catalyzing creative tourism in small cities and rural areas in Portugal: The CREATOUR approach. In Creative Tourism and Sustainable Development in Smaller Communities. Calgary: University of Calgary Press.
Duxbury, N., Campbell, H., & Keurvorst, E. (2011). Developing and revitalizing rural communities through arts and culture. Small Cities Imprint, 3(1), 111–122.
Duxbury, N., Carvalho, C., Vinagre de Castro, T., Bakas, F. E., & Silva, S. (2018). Packaging creative tourism offers in small cities and rural areas: A national overview of emerging models. In Emerging and Future Trends in Creative Tourism, 7-9th June, Braga, Portugal. Braga: University of Minho, Portugal.
Duxbury, N., Silva, S., & Vinagre de Castro, T. (2019). “Creative tourism development in small cities and rural areas in Portugal: insights from start-up activities.” In D. A. Jelinčić & Y. Mansfeld (Eds.), Creating and Managing Experiences in Cultural Tourism. Singapore: World Scientific Publishing.
Jelinčić, D. A., & Žuvela, A. (2012). Facing the challenge? Creative tourism in Croatia. Journal of Tourism Consumption and Practice Volume, 4(2), 78–90.
Lam, B., Phillips, M., Kelemen, M., Zamenopoulos, T., Moffat, S., & de Sousa, S. (2018). Design and Creative Methods as a Practice of Liminality in Community-Academic Research Projects. The Design Journal, 1–20. https://doi.org/10.1080/14606925.2018.1469329
Landry, C. (2010). Experiencing imagination: Travel as a creative trigger. In R. Wurzburger, T. Aageson, A. Pattakos, & S. Pratt (Eds.), A global conversation. How to provide unique creative experiences for travelers worldwide (pp. 33–42). Sunstone Press Santa Fe.
Matarasso, F. (2004). Arts in rural England: Why the arts are at the heart of rural life. Retrieved from http://webarchive.nationalarchives.gov.uk/20160204123524/http://www.artscouncil.org.uk/advice-and-guidance/browse-advice-and-guidance/arts-in-rural-england-why-the-arts-are-at-the-heart-of-rural-life
McKeever, E., Anderson, A., & Jack, S. (2014). Social embeddedness in entrepreneurship research: the importance of context and community. In E. Chell & M. Karataş-Özkan (Eds.), Handbook of research on small business and entrepreneurship (pp. 222–236). Edward Elgar London.
OECD. (2014). OECD Tourism Trends and Policies 2014. OECD Publishing. Retrieved from http://dx.doi.org/10.1787/tour-2014-en
Patterson, C. (2008). Cultural capital and place: Coles Bay and the Freycinet Peninsula, Tasmania. Geographic Research [Online], 46(3), 350–360.
Pielichaty, H. (2015). Festival space: gender, liminality and the carnivalesque. International Journal of Event and Festival Management, 6(3), 235–250.
Pritchard, A., Morgan, N., & Ateljevic, I. (2011). Hopeful tourism: A New Transformative Perspective. Annals of Tourism Research, 38(3), 941–963. https://doi.org/http://dx.doi.org/10.1016/j.annals.2011.01.004
Raymond, C. (2007). “Creative Tourism New Zealand: The Practical Challenges of Developing Creative Tourism.” In G. Richards & J. Wilson (Eds.), Tourism, Creativity and Development (pp. 146–57). London: Routledge.
Richards, G. (2011). Creativity and tourism. The state of the art. Annals of Tourism Research. https://doi.org/10.1016/j.annals.2011.07.008
Richards, G., & Marques, L. (2012). Exploring Creative Tourism: Editors Introduction. Journal of Tourism Consumption and Practice, 4(2), 1–11.
Richards, G., & Raymond, C. (2000). Creative tourism. ATLAS News, 23(8), 16–20.
Statistics Portugal (INE). (2018). Tourism Statistics 2017. Lisbon.
Triarchi, E., & Karamanis, K. (2017). Alternative Tourism Development: A Theoretical Background. World Journal of Business and Management, 3(1), 35.
UNESCO. (2006). Towards Sustainable Strategies for Creative Tourism. Santa Fe, New Mexico, U.S.A.
UNTWO. (2016). Global Report on the Transformative Power of Tourism: a paradigm shift towards a more responsible traveller. Retrieved from http://cf.cdn.unwto.org/sites/all/files/pdf/global_report_transformative_power_tourism_v5.compressed_2.pdf
Downloads
Published
How to Cite
Issue
Section
License
This journal provides immediate open access to its content, following the principle that providing free scientific knowledge to the public provides greater democratization of world knowledge.
Authors must agree to the following terms relating to copyrights:
(a) Authors keep all copyright and grant the to the journal the right of first publication, with the work simultaneously licensed under the Creative Commons Attribution License that allowing job sharing with recognition of authorship of the work and initial publication in this journal.
(b) Authors are allowed to assume additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (e.g. publish in institutional repository or book chapter), with recognition of authorship and initial publication in this magazine.
(c) Authors are allowed and are encouraged to publish and distribute their work online (e.g. in institutional repositories or on your personal page) since they do not do this before or during the editorial process, as this can generate productive interchange, as well as increase the impact and citation of work aired. (See Effect of Free Access).