O livro-penetrável e o poema-parangolé;

leitura de Rua do mundo, de Eucanaã Ferraz

Abstract

This essay analyzes Rua do mundo (2004/2007), by Brazilian writer Eucanaã Ferraz, with the aim of showing – based on Hélio Oiticica’ notes, interdisciplinary and neo-concretist theories – the liquid border of Brazilian poetry and the use of hinge-word processes to disclose a new approach to the everyday word and to other arts.