Phaedrus and Catullus’ choliambic fable
DOI:
https://doi.org/10.34019/2318-3446.2021.v9.33187Palabras clave:
Fedro, Catulo, Calímaco, fábula esópica, poesia coliâmbicaResumen
The aim of this paper is to compare some features of Phaedrus' poetry (I CE) to those of Catullus, 22. I managed to make such comparisons in the light of the relations set between these two Latin poets and former Greek choliambic poetry. In order to do so, I have previously performed a brief survey regarding those poetic features found in the extant choliambic works of Hipponax (VI CE) and Callimachus (310-240 BCE) which, accordingly, match Phaedrus’ poems’ features. Phaedrus, the fabulist, unlike Catullus, wrote solely in iambic senarius. However, as I present here, this choice did not hinder Phaedrus from following meaningful creative techniques witch which some of the choliambic poets also experimented. One must stress, thereupon, that both Phaedrus and Catullus resumed the Callimachean trace of turning poems into frames for aesthetic criticism by making use of Aesopic fables.
Descargas
Citas
ACOSTA-HUGHES, Benjamin. Polyeideia: The Iambi of Callimachus and the Archaic Iambic Tradition. Berkeley: University of California Press, 2002, 351p.
ADRADOS, Francisco. Historia de la fábula Greco-Latina. Tomo I. Madrid: Editorial de la Universidad Complutense, 1979, 726 p.
ALVAREZ, Beethoven. Senário Iâmbico em Plauto: Efeitos em ‘Persa’ e ‘Estico’. 2016. Tese (Doutorado em Linguística). Instituto de Estudos da Linguagem, Universidade Estadual de Campinas, 2016.
BROWN, Christopher. Iambos. In: GERBER, Douglas. A Companion to Greek Lyric Poets. Leiden: Brill, 1997. p. 11-89.
CALLIMACHUS; MUSAEUS. Fragments; Hero and Laender. Edited and Translated by C.A. Trypanis, Thomas Gelzer, Cedric Whitman. Cambridge: Harvard University Press, 1975.
CATULLUS. The poems of Catullus: a bilingual edition. Translated with commentary, by Peter Green. Berkeley: University of California Press, 2005.
CATULLUS; THOMSON, Douglas Ferguson Scott. Catullus. Edited with a textual and interpretative commentary by D.F.S. Thomson. Toronto: University of Toronto Press, 1997.
CAREY. Chris. Iambos. In: BUNDELMANN, F. The Cambridge Companion to Greek Lyric. Cambridge: Cambridge University Press, 2009, p. 149-168.
FORSYTH, Phyllis. Catullus and the Iambi of Callimachus. Mosaic: A Journal for the Interdisciplinary Study of Literature, Winnipeg, vol. 10, n. 4, 1977, p. 111–116. Disponível em: http://www.jstor.org/stable/24780304. Acesso em: 21 de set. de 2020.
FREITAS, Gustavo. Sobre o Estilo de Demétrio: um olhar crítico sobre a Literatura Grega (Tradução e estudo introdutório do tratado). Dissertação (Mestrado em Estudos Literários). Faculdade de Letras, Universidade Federal de Minas Gerais, 2011.
GLAUTHIER, Patrick. Phaedrus, Callimachus and the Recusatio to Success. Classical Antiquity, vol.28, n.2, 2009, p. 248-278. Disponível em: https://www.jstor.org/stable/10.1525/ca.2009.28.2.248. Acesso em 16 de abr. de 2021.
HORACE. Satires. Epistles. The Art of Poetry. Translated by H. Rouston Fairclough. Cambridge: Harvard University Press, 1926.
JORDAN, Cara Tess. Voicing Power through the Other: Elite Apropriations of fable in the 1st -3rd Centuries CE. PhD Thesis. Toronto: University of Toronto, 2013.
JUVENAL; PERSIUS. Satires. Edited and Translated by Susanna Morton Braund. Cambridge: Harvard University Press, 2004.
KROSTENKO, Brian. Catullus and Elite Republican Social Discourse. In; SKINNER, M. A Companion to Catullus. Malden: Blackwell Publishing, 2007, p. 212-233.
MORGAN, Llewelyn. Musa Pedestris: Metre and Meaning in Roman Verse. Oxford: Oxford University Press, 2010.
PERRY, Ben E. Babrius and Phaedrus: Fables. London: Harvard University Press, 1965.
PUTNAM, Michael. Catullus, 22.13. Hermes, Stuttgart, 96 Bd., H.4, 1968, p. 552-558.
RUSSO, Alessandro. Iambic Presences in Ennius’ saturae. In: ALONI, A. et al. Iambic Ideas: Essays on a poetic tradition from Archaic Greece to the Late Roman Empire. Lanham: Rowman and Littlefield Publishers, 2001, p. 99 – 115.
SCODEL, Ruth. Callimachus and Fable. In: ACOSTA-HUGHES, B. et al. Brill`s Companion to Callimachus. Leiden: Brill, 2011. p. 368-384.
SHAPIRO, Susan O. The Mirror of Catullus: Poems 12, 22, 39, 41, 42 and 84. Syllecta Classica, vol. 22, p. 21-37, 2011. Disponível em: https://muse.jhu.edu/article/476800. Acesso em 16 de abr. de 2021.
STEINER, Deborah. Feathers Flying: Avian Poetics in Hesiod, Pindar, and Callimachus. The American Journal of Philology, v. 128, n. 2, p. 177-208, 2007. Disponível em: https://www.jstor.org/stable/4496958. Acesso em 16 de abr. de 2021.
TITTI-LIVI. Ab Urbe Condita. Tomus I. Libri I-V. Recognouerunt et Adnotatione Critica instruxerunt Robertus Seymour Conway et Carolus Flamtead Walters. Londini: E Typographeo Clarendoniano, 1960.
VINE, Brent. A Hipponactean Echo in Catullus (Frigus, 44.20). Classical Philology, v.104, n. 2 2009, p. 213-216. Disponível em: https://www.jstor.org/stable/10.1086/605344. Acesso em 16 de abr. de 2021.
WATSON, Lindsay. Rustic Suffenus (Catullus 22) and Literary Rusticity. In: CAIRNS, Francis et al. Papers of the Leeds International Latin Seminar. v. 6. Leeds: Francis Cairns, 1990, p. 13-33.
WHEELER, Michael. Meter in Catullan Invective: Expectations and Innovations. PhD Thesis. Boston: Boston University, 2015.
Descargas
Publicado
Cómo citar
Número
Sección
Licencia
Derechos de autor 2021 Gabriel Gil
Esta obra está bajo una licencia internacional Creative Commons Atribución-NoComercial-CompartirIgual 4.0.
Derechos de autor
Los autores que publican en esta revista aceptan los siguientes términos:
1. Los autores y las autoras conservan los derechos de autor y le otorgan a la revista el derecho a la primera publicación, que está bajo la licencia Creative Commons Attribution License 4.0 Internacional.
2. Los autores y las autoras pueden publicar y compartir el trabajo con reconocimiento de la publicación inicial en esta revista.
3. Los autores y las autoras de las obras aprobadas autorizan a la revista a asignar el contenido de sus obras, después de la publicación, para su reproducción en indexadores de contenido, bibliotecas virtuales y similares.
Para obtener más información sobre Creative Commons Attribution License 4.0 Internacional, acceda a: https://creativecommons.org/licenses/by/4.0/deed.es
Exención editorial
El contenido de los artículos publicados es responsabilidad única y exclusiva de sus autores, y no representa la posición oficial de Rónai - Revista de Estudos Clássicos e Tradutórios o de la Faculdade de Letras de la Universidad Federal de Juiz de Fora o instituciones asociadas.
