Translation Studies and Adaptation Studies
DOI:
https://doi.org/10.34019/2318-3446.2019.v7.28605Keywords:
translation, adaptation, Translation Studies, Adaptation Studies, rewriting, translated literature, interpreterAbstract
This article examines the links between Translation Studies and the new discipline of Adaptation Studies, which has grown enormously in recent years, especially at universities in the Anglo-Saxon world. As a theoretical basis, the distinctions made by Julie Sanders in Adaptation and Appropriation (SANDERS, 2006) are used. It follows that there should be greater contact between the areas and, more particularly, that Translation Studies have much to offer to Adaptation Studies.
Downloads
References
ARTT, Sarah. 2007. Art of the Past: Adapting Henry James’s The Golden Bowl. In: Journal of Adaptation in Film and Performance, v. 1, n. 1, p.3-4, 5-16, 2007.
BASSNET-MCGUIRE, Susan. 1980. Translation Studies. London: Methuen.
CHAPPLE, Freda. 2007. Adaptation as Education: A Lady Macbeth of the Mtsensk District. In: Journal of Adaptation in Film and Performance, v. 1, n. 1, p.3-4, 5-16, 2007.
BRISSET, Annie. 1990/2000. The Search for a Native Language: Translation and Cultural Identity. In: Lawrence Venuti (ed.) The Translation Studies Reader, p. 343-375, 1990/2000.
EVEN-ZOHAR, Itamar 1978/2000. The Position of Translated Literature within the Literary Polysystem. In: Lawrence Venuti (ed.) The Translation Studies Reader, p. 192-197, 1978/2000.
FRANCO, Eliana; ARAÚJO,Vera Lúcia Santiago. 2003. Reading Television: Checking Deaf People’s Reactions to Closed Subtitling in Fortaleza, Brazil. In: The Translator, v. 9, n. 2, 2003. Special Issue. Screen Translation, p. 249-267.
HAND, Richard; KREBS, Katja. 2007. Editorial. In: Journal of Adaptation in Film and Performance, v. 1, n. 1, p.3-4, 5-16, 2007.
KAISER, Andrea. Óperas no Brasil: versões em Português. M.A. dissertation, Faculdade de Música, Universidade de São Paulo. LATHEY, Gillian. The Translation of Children’s Literature: a Reader. Clevedon: Multilingual Matters, 2006.
LEFEVERE, André. 1982/2000. Mother Courage’s Cucumbers: Text, system and refraction in a theory of literature. In: Lawrence Venuti (ed.) The Translation Studies Reader, p. 233-249, 1982/2000.
LEFEVERE, André. 1982. Translation/ History/ Culture: a Sourcebook. London: Routledge, 1982.
MILTON, John. 2002. O Clube do Livro e a Tradução. Bauru: Editora da Universidade do Sagrado Coração (EDUSC), 2002.
MILTON, John, e TORRES, Marie-Helene Torres (eds.) 2003. Tradução, Retradução e Adaptação, Cadernos de Tradução, n. 11, 2003/1.
O’LOUGHLIN, Jim. 2007. Uncle Tom’s Cabin as Dominant Culture. In: Journal of Adaptation in Film and Performance, v. 1, n. 1, p. 3-4, 45-56, 2007.
O’SULLIVAN, Emer. 2006. Narratology Meets Translation Studies, or The Voice of the Translator in Children’s Literature. In: LATHEY, Gillian (ed.), The Translation of Children’s Literature: a Reader. Clevedon: Multilingual Matters, p. 98-109, 2006.
RADOSAVLIJEVIC, Duska. Translating the City: A Community Theatre Version of Wim Wenders’ Wings of Desire in Newcastle-upon-Tyne. In: Journal of Adaptation in Film and Performance, v. 1, n. 1, p. 3-4, 57-50, 2007.
SANDERS, Julie. 2006. Adaptation and Appropriation. London: Routledge, 2006.
SENNA, Pedro de. 2007. In Praise of Treason: Translating Calabar. In: Journal of Adaptation in Film and Performance, v. 1, n. 1, p.3-4, 5-16, 2007.
STOLT, Birgit. 2006. How Emil Becomes Michel: On the Translation of Children’s Books. In: LATHEY, Gillian (ed.) The Translation of Children’s Literature: a Reader. Clevedon: Multilingual Matters, p. 67-83, 2006.
TOURY, Gideon. 1978/2000. The Nature and Role of Norms in Translation. In: The Translation Studies Reader. Ed. Lawrence Venuti, p. 198-211, 1978/2000.
TYMOCZKO, Maria. 1999. Translation in a Postcolonial Context. Manchester: St. Jerome, 1999.
UPTON, Carole-Anne. 2000. Moving Target: Theatre Translation and Cultural Relocation. Clevedon: Multilingual Matters, 2000.
VENUTI, Lawrence. 2007. Adaptation, Translation, Critique. In: Journal of Visual Culture, p. 25-43, 2007(6).
ZATLIN, Phylis. 2005. Theatrical Translation and Film Adaptation: a
Practitioner’s Viewpoint. Clevedon: Multilingual Matters.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2019 John Milton
This work is licensed under a Creative Commons Attribution 4.0 International License.
Copyright
The authors of the published contributions agree with the following items:
1. The authors keep the copyright and convey to the journal the right of first publication, the work being licensed under a Creative Commons Attribution License 4.0 International.
2. The authors are allowed and stimulated to publicize and distribute their work online after the publication in the journal, recognizing first publication in this journal.
3. The authors of the approved works authorize the journal to distribute their content, after publication, for reproduction in content indexes, virtual libraries and similars.
For more information about Creative Commons Attribution License 4.0 International, please, go to: https://creativecommons.org/licenses/by/4.0/deed.en
Editorial exemption
The authors of the published contributions are entirely and exclusively responsible for their contents. Its content does not represent an official position of Rónai - Revista de Estudos Clássicos e Tradutórios neither of Faculdade de Letras da Universidade Federal de Juiz de Fora or their partner institutions.
