PAULO FREIRE MICROREVOLUTIONS, A HOLOGRAPHY AND A SCHIZOPOLITICS

UMA HOLOGRAFIA E UMA ESQUIZOPOLÍTICA

Abstract

This paper looks at the relationship of the existence of a will to erase the work of Paulo Freire from an analysis that turns to schizopolitics. It is a kind of aesthetic immersion in the affirmation of existence as a place of self-creation. Philosophically, Paulo Freire becomes a deviation, whose decisive factor is to displace the oppressed and decolonize it through inventive microrevolutions. The search for a thought of microrevolutions and a schizopolitics takes place in the possibility of breaking the one seen as subaltern that, in the pseudo-aristocratic tradition, maintains the desire that this one be the eternally colonized. In this sense, the erasure relationship is mediated by the distortion of real experience, producing political discourses in a continuous process of creating and recreating, through the formation of holographs that bring the object, without erasing or disfiguring it; in an attempt to delegitimize the author's work, which, due to its liberating pedagogical phenomenology, threatens elitist canons.