EXPANDED STORYWORLDS AND ARCHIVES AS POLYSYSTEMS
THE CASE OF THE MARVEL UNIVERSE
DOI:
https://doi.org/10.34019/1983-8379.2025.v18.49661Keywords:
archives, expanded storyworlds, Marvel, narratology, polysystemsAbstract
This paper investigates, using the Marvel Universe in its comic book and cinematic publications, the intersections and differences between the concepts of archive (Derecho, 2006) and expanded storyworlds (Autor; Indrusiak, 2021), as well as the relevance of understanding them as polysystems, as proposed by Itamar Even-Zohar (1978). The text is divided in four sections. The first aims to clarify the article’s key concepts: “expanded storyworlds”, “archive” and “polysystems”. Next, there is a brief overview of the storyworlds to be analyzed, both in the Marvel Comics (MC) and the Cinematic Universe (MCU). In the third section, we discuss how the polysystem hypothesis can be applied to these objects. Finally, we explore another way to integrate these storyworlds: when consumed through the lens of the existence of multiverses, thematized within the narratives themselves, it becomes possible to integrate what would previously be considered an archive into a single storyworld. In conclusion, we argue that framing expanded storyworlds and archives as polysystems contributes to a more detailed understanding of two narrative phenomena that result from the complex relationships among various media products.
Downloads
References
BENDIS, Brian Michael; COIPEL, Olivier. Dinastia M. São Paulo: Panini Comics, 2006.
BUNN, Cullen, EATON, Scot, FRACTION, Matt. YOST, Chris. Battle Scars n. 1–6. Nova York: Marvel Comics, 2011–2012.
CATTRYSSE, Patrick. The polysystem theory and cultural studies. Canadian Review of Comparative Literature, Edmonton, v. 24, n. 1, p. 51–67, 1997. Disponível em: https://www.researchgate.net/publication/299015648_The_polysystem_theory_and_cultural_studies. Acesso em: 30 jul. 2025.
CODDE, Philippe. Polysystem theory and cultural studies. [S.l.]: University of Ghent, 2003. Disponível em: https://warwick.ac.uk/fac/arts/english/currentstudents/postgraduate/masters/translationstudies/cl938/polysystems_coddy.pdf. Acesso em: 30 jul. 2025.
DERECHO, Abigail. Archontic literature: a definition, a history, and several theories of fanfiction. In: HELLEKSON, Karen; BUSSE, Kristina (org.). Fan fiction and fan communities in the age of the internet. Jefferson, NC: McFarland, 2006. p. 61–78.
DERRIDA, Jacques; PRENOWITZ, Eric. Archive fever: a Freudian impression. Diacritics, Baltimore, v. 25, n. 2, p. 9–63, 1995.
DUARTE, Ana Carolina. Jonathan Hickman fala sobre o boicote dos X-Men na Marvel. Universo X-Men, São Paulo, 11 jan. 2022. Disponível em: https://universoxmen.com.br/2022/01/jonathan-hickman-fala-sobre-o-boicote-dos-x-men-na-marvel/. Acesso em: 30 jul. 2025.
EVEN-ZOHAR, Itamar. Papers in historical poetics. Tel Aviv: The Porter Institute for Poetics and Semiotics, 1978.
GAIMAN, Neil; KUBERT, Andy; ISANOVE, Richard. Marvel 1602. São Paulo: Panini Comics, 2005. 248 p.
GOMES, A. M. B.; INDRUSIAK, E. B. Expanded universes in science fiction: a matter of integration. Memorare, Tubarão, v. 8, n. 1, p. 1–15, jan./jun. 2021.
GOMES, Arthur Maia Baby. Mundos de história expandidos na ficção científica. In: INDRUSIAK, Elaine (org.). (In)confiabilidade em narrativas. Porto Alegre: Zouk, 2024. p. 100–121.
HICKMAN, Jonathan; RIBIC, Esad. Secret Wars n. 1–12. Nova York: Marvel Comics, 2015.
HOWE, Sean. Marvel Comics: the untold story. New York: Harper, 2012.
JENKINS, Henry. Convergence culture: where old and new media collide. New York: NYU Press, 2006.
KLASTRUP, Lisbeth; TOSCA, Susana. Transmedial worlds. In: RYAN, Marie-Laure; THON, Jan-Noël (org.). Storyworlds across media: toward a media-conscious narratology. Lincoln: University of Nebraska Press, 2013. p. 187–204.
LEWIS, David. Possible Worlds. In: LOUX, Michael J. (ed.). The Possible and the Actual: Reading in the Metaphysics of Modality. Ithaca: Cornel University Press, 1979. p. 182-189.
MARVEL DATABASE. Categorias de realidades. Marvel Database, [S.l.], [s.d.]. Disponível em: https://marvel.fandom.com/pt-br/wiki/Categoria:Realidades. Acesso em: 30 jul. 2025.
MARVEL ENCYCLOPEDIA. Marvel encyclopedia. 2. ed. Londres: DK Publishing, 2014.
MCNIVEN, Steven. MILLAR, Mark. Guerra Civil n. 1–7. Nova York: Marvel Comics, 2006–2007.
PORTAL POPLINE. Ms. Marvel: Iman Vellani aposta mais no universo 616 do que no MCU. Portal Popline, Rio de Janeiro, 9 jun. 2022. Disponível em: https://portalpopline.com.br/ms-marvel-iman-vellani-aposta-mais-616-universos-mcu/. Acesso em: 30 jul. 2025.
RYAN, Marie-Laure. A new anatomy of storyworlds: what is, what if, as if. Athens: Ohio University Press, 2022.
RYAN, Marie-Laure. Possible worlds, artificial intelligence, and narrative theory. Bloomington: Indiana University Press, 1991.
RYAN, Marie-Laure. Story/worlds/media: tuning the instruments of a media-conscious narratology. In: RYAN, Marie-Laure; THON, Jan-Noël (org.). Storyworlds across media: toward a media-conscious narratology. Lincoln: University of Nebraska Press, 2014. p. 25–49.
SAINT-GELAIS, Richard. Fictions Transfuges: La Transfictionnalité et ses enjeux. Paris: Édition du Seuil, 2011.
SHOOTER, Jim. ZECK, Mike. Secret Wars n. 1–12. Roteiro de Jim Shooter; arte de Mike Zeck. Nova York: Marvel Comics, 1984–1985.
STERNBERG, Meir. YACOBI, Tamar. A (in)confiabilidade no discurso narrativo: um panorama abrangente. Porto Alegre: Zouk, 2023. E-book. Disponível em: https://www.editorazouk.com.br/pd-965398--e-book-a-in-confiabilidade-no-discurso-narrativo.html. Acesso em: 30 jul. 2025.
WETZEL, Charlie. The Marvel Studios story: how a failing comic book publisher became a Hollywood superhero. Nashville: HarperCollins Leadership, 2020.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Arthur Maia Baby Gomes, Pedro Oliveira Galvão de Arruda, Victoria Mello Veríssimo da Fonseca

This work is licensed under a Creative Commons Attribution 4.0 International License.

Este trabalho está licenciado sob uma licença Creative Commons Attribution 4.0 International License.
Direitos Autorais
Autores que publicam nesta revista concordam com os seguintes termos:
1. Autoras e autores mantêm os direitos autorais e concedem à revista o direito de primeira publicação, sendo esta licenciada sob a Creative Commons Attribution License 4.0 Internacional.
2. Autoras e autores têm permissão e são estimuladas(os) a publicar e compartilhar o trabalho com reconhecimento da publicação inicial nesta revista.
3. Autoras e autores dos trabalhos aprovados autorizam a revista a ceder o conteúdo de seus trabalhos, após sua publicação, para reprodução em indexadores de conteúdo, bibliotecas virtuais e similares.
Para mais informações sobre a Creative Commons Attribution 4.0 International License, acessar: https://creativecommons.org/licenses/by/4.0/









