Appli Cative Necroliberalism

Authors

  • Pablo Lemos Lucena UFBA PPGAV

DOI:

https://doi.org/10.34019/2359-4489.2020.v6.32177

Keywords:

Video art, photography, delivery people

Abstract

This article seeks to reflect on the creative process of the author, making a brief cut about the video Apli Cativo Necroliberalismo (2020). Faced with the pandemic of the Covid 19 virus, images were taken through the windows of an apartment from the perspective of the quarantine, so a poetics was created registering deliverers who worked with applications in the city. If a priori the typical mimesis of videographic language would be present, a posteriori anamorphosis and sound interference were performed in post-production. In this way, a necessary dialogue was established with the thoughts of authors who reflected on the dystopian moment of the pandemic, such as Achille Mbembe and Vladimir Safatle or on political art, like Georges Didi-Huberman and Hall Foster. Approaches and distances were also made with some videos by the artist Cao Guimarães.

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References

BARTHES, Roland. A Câmara Clara. Nota sobre a fotografia. Rio de Janeiro: Nova Fronteira, 1984.
DIDI-HUBERMAN, Georges. Quando as imagens tomam posição; tradução Cleonice Paes Barreto Mourão. - Belo Horizonte: Editora UFMG, 2017.
FISCHER, Ernst. A necessidade da arte. - tradução de Leandro Konder. - 5 ed. - Rio de Janeiro: Zahar Editôres, 1976.
FOSTER, Hal. O retorno do real: a vanguarda no final do século XX; tradução Célia Euvaldo. – São Paulo: Cosac & Naify, 2014.
MBEMBE, Achille. O direito universal a respiração; Tradução Ana Luiza Braga. Disponível em: <https://n-1edicoes.org/020 > Acesso em: 14 mai. 2020.
SAFATLE, Vladimir. Bem vindo ao estado suicidário. Disponível em: <https://n-1edicoes.org/004> Acesso em: 14 mai. 2020.
SANTOS, Boaventura de Sousa. Renovar a teoria Crítica e reinventar a emancipação social. São Paulo: Boitempo, 2007.

Published

2020-12-15

How to Cite

(1)
Lemos Lucena, P. Appli Cative Necroliberalism. FDC 2020, 6, 335-349.