Locus: Revista de História _ V.30, N.2 (2024)
Review

Baroque Sensibilities: itineraries for an italian modernity

pdf (Português (Brasil))
  • Gustavo Gabaldo Grama de Barros Silva
Gustavo Gabaldo Grama de Barros Silva
UFJF
DOI: https://doi.org/10.34019/2594-8296.2024.v30.43316

Published 2025-02-02

Keywords

  • Baroque,
  • Visual Culture,
  • Italian identity,
  • Modern Italy,
  • Laura Moure Cecchini

How to Cite

Gabaldo Grama de Barros Silva, Gustavo. 2025. “Baroque Sensibilities: Itineraries for an Italian Modernity”. Locus: History Journal 30 (2):329-34. https://doi.org/10.34019/2594-8296.2024.v30.43316.

Copyright (c) 2025 Gustavo Gabaldo Grama de Barros Silva

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Abstract

Review of the book: Cecchini, Laura Moure. Baroquemania: italian visual culture and the construction of national identity, 1898-1945. Manchester: Manchester University Press, 2021.

pdf (Português (Brasil))

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References

  1. Benjamin, Walter. Origem do drama trágico alemão. Belo Horizonte: Autêntica, 2011.
  2. Cecchini, Laura. “1930: Margherita Sarfatti entre Buenos Aires, Milán y Roma”. MODOS, Campinas, 4, n. 1 (2020a): 205–225.
  3. Cecchini, Laura. “Aztec Cubists Between Paris and New York: Diego Rivera, Marius de Zayas, and the reception of Mexican antiquities in the 1910s”. Modernism/Modernity, 28, n. 2 (2021a): 251-286.
  4. Cecchini, Laura. “The Via della Conciliazione (Road of Reconciliation): fascist urbanism and the de-urbanization of the working class in interwar Rome”. Selva, v. 2 (2020b): 188-213.
  5. Cecchini, Laura. Baroquemania: italian visual culture and the construction of national identity, 1898-1945. Manchester: Manchester University Press, 2021b.
  6. Riegl, Alois. The origins of Baroque art in Rome. Los Angeles: Getty Research Institute, 2010.
  7. Wölfflin, Heinrich. Renascença e Barroco. São Paulo: Perspectiva, 1989.